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2023年11月，大鴨梨餐飲集團下高端餐飲品牌Wanwea·元餐廳低調啟幕。TANZO天作空間王大泉說這是一次有點痛苦的設計過程，如勁草出罅隙，但最終的成果也和餐廳的名字彼此映襯：在混沌太空里，描摹出一個抽象、整體的起始，然后隨著人的進入，一切變得生動具象起來。

In November 2023, the upscale restaurant brand Wanwea·Yuan under the Da Ya Li Restaurant Group quietly launched. DaQuan Wang from TANZO Space Design described the design process as somewhat painful like tough grass breaking through cracks. Still, the final result also reflects the name of the restaurant: Sketching an abstract, holistic beginning in a chaotic space, which becomes vivid and concrete as people enter.

但空無不意味著荒蕪，絕佳的地理位置和環(huán)境條件使建筑的可能性變得寬廣，也有了建成后不同的到訪者對Wanwea·元的多向解讀。在老朋友荒野植物園的協(xié)作下，穿插互構的內(nèi)外庭院與建筑主體重新凝聚了這一地塊，圍繞如母親般的河柳創(chuàng)造整個園子的生命狀態(tài)。草坪、踏步、水面切割出庭院自近而遠、自下而上的景致，明晦沖融、重疊縹緲。

However, emptiness does not imply desolation. The exceptional geographical location and environmental conditions have broadened the possibilities for architecture, allowing for perse interpretations of Wanwea·Yuan by different visitors after its completion. In collaboration with the Wild Garden, the interwoven interior and exterior courtyards, along with the main building, have redefined this plot of land, creating a life-like atmosphere around the river willows, as if nurturing the entire garden. The lawn, stepping paths, and water surface carve out a view of the courtyard that unfolds from near to far, from bottom to top—an intricate interplay of light and shade, blending and overlapping in an ethereal way.

穿行于庭院時，東方和西方感并不鮮明，源于設計師意識到園林只是一種林泉觀的再現(xiàn)，或說是一種神仙境界的營造，并沒有絕對營造法式，反而使Wanwea·元的庭院有了不拘泥于地方文脈，圓融大觀的神采。

As one moves through the courtyard, the distinction between Eastern and Western sensibilities is not immediately apparent. This stems from the designer's realization that the garden represents a forest-and-spring landscape, or perhaps an attempt to create a pine realm, without adhering to a fixed architectural style. This approach allows the courtyard of Wanwea·Yuan to transcend regional traditions, embodying a harmonious and expansive aura.

在中國歷史上，《山經(jīng)》篳路藍縷，劈開鴻蒙，敘列山川，用一種上帝般兼顧宏觀與微觀、既總攬大千又洞察幽微的目光載記萬物。或許是因為后來的人們喪失了古人所曾經(jīng)登臨的高度，因此也沒有了古人曾有過的眼光，將彼時風景只作神話怪談。
Wanwea·元想造一個把人們帶入迷人之境的過程，“想象中的境地”貫穿始終：川蜀大地的奇險；熱烈堅毅的民風；靈動精巧的風味；神異奇絕的風物......空間以更廣大、更具有想象余地的圖景承托它的多源性和勃勃雄心，這是品牌和設計師埋在空間深處的精神寄望。

In Chinese history, the 'Classic of Mountains' forged paths through chaos, opening up the primordial void, cataloging rivers and mountains with a god-like perspective that encompassed both macro and micro views—capturing the universe yet also discerning the subtleties of all things. Perhaps it is because later generations have lost the heights once reached by the ancients, and with that, the vision they once possessed, relegating those landscapes to the realm of myths and legends.
Wanwea·Yuan aims to create a process that transports people into an enchanting realm. The 'imagined landscapes' are consistent throughout: the perilous terrains of Sichuan; the warm and resolute local customs; the lively and exquisite flavors; the marvelous and extraordinary natural sights... The space supports its multivalence and vigorous ambitions with broader, more imaginative vistas, embedding the brand and designer’s spiritual aspirations deep within the space.

現(xiàn)場工人師傅按照設計師“砌煙囪”的施工指導，完成了餐廳入口向上伸展凝望的墻體造型。就從這如抻開的書卷般的建筑臂展中，沿著潔凈有力的實墻，掠過灰磚托起的纖薄水面進入規(guī)整的入口。

Under the designer's 'chimney construction' instructions, the site workers completed the restaurant entrance’s upward-stretching wall structure. From this architectural embrace, resembling an unfurled scroll, one proceeds along the solid, clean walls, gliding over the slender water surface supported by grey bricks, to enter the orderly entrance.

在人的高度和視線范圍內(nèi)，內(nèi)和外的分隔被減省，腳下是堅實的大地，一側是樸茂沉雄如山巒的深色石壁，寬大的出檐形成屋蓋，光或雨的潮汐將由屋漏滴入內(nèi)外間隙。

Within human height and field of vision, the separation between inside and outside is minimized. Beneath one's feet lies the solid earth, while to one side stands a dark stone wall, robust and towering like mountain ranges. The broad eaves form a roof overhead, allowing the tides of light or rain to drip through the gaps between inside and outside.

另一側的白則是與荒僻原始對望的現(xiàn)代詩意，二者疊映——生與滅、虛空與盈滿、神明和煙火、近旁的河柳與遠方的高山、透明的日光和炙熱的地火都在這個剎那化作一團熱烈的矛盾相互激蕩，隨著繼續(xù)進入，深沉地靜定下來。

On the other side, the white represents modern poetry juxtaposed against the desolate and primitive, both reflections intertwining—life and extinction, emptiness and fullness, the pine and the mundane, the nearby willows by the river and the distant high mountains, the clear sunlight and the scorching geothermal heat—all converging in this moment into a fervent contradiction that stirs intensely, then settles into a profound calm as one continues further in.

餐廳由多組尺度舒適、功能維度豐富的空間層層嵌套遞進，體驗是流動的，像一餐行云流水的盛宴。

The restaurant is composed of multiple groups of spaces, each with a comfortable scale and a rich functional dimension, progressively nested within one another. The experience is fluid, resembling a meal that flows smoothly like a feast of effortless elegance.

手工敲制的吧臺使用約386公斤紫銅退火手工鍛打塑形而成，強有力地點燃了進入后的公共區(qū)域，這是餐廳劇目驚艷的亮相。墨色石材和鏡面之間，華美謙和的金色四散。

The handcrafted bar counter is made from approximately 386 kilograms of annealed copper, hand-hammered and shaped, creating a striking focal point that powerfully ignites the public area upon entry. Between the dark stone and mirrored surfaces, the elegant yet understated gold accents radiate gracefully.

臨側潔凈的下沉區(qū)是一個柔軟的樂池，使人想起一個寂靜的山谷，流暢的弧面勾勒出的卡座有如一片燦爛的云景，聚集在山上的酒神頂禮者從高處俯視它，日月毫不吝嗇潑灑它的光輝，天花的開孔更具神性的哲思。

The adjacent clean sunken area serves as a soft, musical pool, evoking the quiet serenity of a valley. The flowing curves of the booths resemble a brilliant cloudscape, with worshippers of Dionysus gathered atop the mountain, gazing down upon it from above. The sun and moon generously pour their radiant light upon it, while the ceiling's open apertures add a touch of pine contemplation.

自此向深處進入品酒區(qū)，由火至水的過渡埋藏了山海經(jīng)中異獸的五行流轉，形成一個平衡的能量空間。

From here, as one moves deeper into the wine-tasting area, the transition from fire to water encapsulates the cyclical flow of the Five Elements and mythical creatures from the Classic of Mountains and Seas, creating a balanced energetic space.

林立的酒柜將人們引入縱深的品酒區(qū)，室內(nèi)在視線的遠端轉為覆玻璃屋頂?shù)年柟夥坎迦胧彝狻?br />
The towering wine cabinets guide people into the deeper wine-tasting area, where the interior transitions at the far end of the line of sight into a sunroom with a glass roof, extending into the outdoors.

柔和的木墻體褶皺折射出幽微的暖光，佛手狀的巨型“葉片”從中而生遮蔽天花，涌動的神力在盡頭化作一支巨大的參數(shù)化金屬葉片，昂揚閃耀，此前積蓄的浪潮傾刻匯入自然的汪洋，重歸寧靜。

The soft wooden walls, with their folds and creases, reflect a subtle warm light. Giant "leaf-shaped" structures, resembling Buddha's hand, emerge from within, casting shadows upon the ceiling. The swirling pine energy culminates at the far end, transforming into a large parametric metal leaf, rising and shimmering. The waves of accumulated power suddenly merge into the vast ocean of nature, returning to a state of tranquility.

包房則可以視為一個內(nèi)部獨立體，它與其連通的茶室和更深處的娛樂空間形成了一個可以獨立探索的路徑和小世界。天光與火的意象在包房中點題，藝術性幻化為深遠的色彩、精雕的現(xiàn)代藝術、浮動的音律、藤蔓低語的暗影。

The private room can be seen as an independent space, creating a path and a small world that can be explored on its own, interconnected with the tea room and deeper entertainment areas. The imagery of daylight and fire is central to the private room, where art transforms into profound colors, intricately crafted modern art, floating melodies, and the whispered shadows of creeping vines.

細致入微地看，并非所有細節(jié)都是清晰的，設計師用自己的方式控制空間在虛實之間的巧妙轉化。

Upon closer inspection, not all details are clear-cut; the designer skillfully controls the subtle transformation of the space between the real and the imagined, using their approach to create a delicate interplay of presence and absence.

進入娛樂區(qū)后空間驟然炫目。但并非亦步亦趨地造視覺奇觀，而是用一種更博大的靜謐盛裝娛樂性。設計師將不銹鋼切割為100mm×100mm的三角形不銹鋼切片手工焊接，與吸引材質工藝融合覆蓋立面到天花。

Through the entertainment area, the space suddenly dazzles. However, it does not merely follow a trend of visual spectacle; instead, it adorns entertainment with a grand, tranquil elegance. The designer meticulously cuts stainless steel into 100mm×100mm triangular pieces, which are then hand-welded and integrated with captivating materials and craftsmanship, covering both the façade and the ceiling.

光源設于地面，不銹鋼的“湖面”永恒反射著此時此刻具體的人和場景，冷峻理性的材料托起超然和感性，對娛樂空間的路徑開創(chuàng)是空間的另一重驚喜。

The light source is placed on the ground, with the stainless steel "lake surface" eternally reflecting the people and scenes of the present moment. The cold, rational material elevates the transcendent and the sensory, creating another layer of surprise in the path that leads through the entertainment space.

小宴會廳形制如密檐式塔的屋面，木結構里出外進層層堆疊，樹影斜落，解決了屋面低矮的結構問題。雖無法登臨，卻由于仿若空腔的內(nèi)部得以從底部觀看，天空一無所有，磅礴的意念已扶搖直上。

The small banquet hall is shaped like the roof of a pagoda, with its wooden structure layering inward and outward in a stacked formation. Shadows of trees fall at an angle, addressing the issue of a low roof structure. Though it is not accessible from above, the interior, resembling a hollow space, can be viewed from below. The sky above is empty, and the immense idea within has soared upward, untethered.

建筑與天空的反復連通除了使空間與自然對話外，在天光與室內(nèi)的反復疊映中，空間的尺度和精神性不再受限于空間實體，時間的維度也因此引入，在凝望和駐留中，人們的觀感是無垠的。

The repeated connection between the architecture and the sky facilitates a dialogue between space and nature. Through the interplay of daylight and interior reflections, the scale and spirituality of the space transcend the limitations of its physical form. The dimension of time is thus introduced, and in moments of contemplation and stillness, the experience becomes boundless.

得益于獨立經(jīng)營的會所性質，Wanwea·元空間中有五處真火，豐收、潔凈與生命能量潛藏于燃燒的火焰，一定意義上空間退后為容器，自然為幕，人是主角，其余皆為映襯，但又缺一不可。

Thanks to the independent operation of the clubhouse, there are five real flames within Wanwea·Yuan Space. Abundance, purity, and生命能量 (vital energy) are concealed in the burning flames. In a certain sense, the space steps back to become a container, nature serves as the backdrop, and humans take center stage, with everything else acting as a supporting element—yet none can be omitted.

喜樂、好運、吉祥.....設計師和業(yè)主為九間包房命名，皆用質樸的吉祥語。昔日杜甫冬日入川蜀，感嘆當?shù)亍跋惨姶緲闼祝谷恍纳袷妗薄Ｇ暌堰^，品牌基因里的安閑熱烈仍然是最迷人的線索。

Joy, good fortune, auspiciousness... The designer and owner have named the nine private rooms using simple, auspicious phrases. In ancient times, when Du Fu entered Sichuan in winter, he marveled at the local "simplicity of customs, which brings a calm and comfortable state of mind." A thousand years have passed, yet the tranquil warmth embedded in the brand’s DNA remains the most captivating thread.

大包房連接茶室，可連通小露臺和湖面，是一方溫潤凈室，兼有內(nèi)外的含義。

The tea room, connected to a small terrace and the lake, is a serene and soothing sanctuary, embodying both internal and external meanings.

在王大泉的理解中，除了對自然、地景、文脈的研究外，他同樣重視業(yè)主需要什么，此刻缺少什么，以及如何抓住那個讓人被打動的東西。

In Designer DaQuan Wang's understanding, in addition to studying nature, landscape, and cultural context, he equally values understanding the client's needs, what is currently lacking, and how to capture that element that resonates and moves people.

對于Wanwea·元，一定不是東方或西方的，在四個多月的探討和打磨中，空間被得以被推演出來：形式、功能和精神的多義性在此實現(xiàn)，遠古的想象和現(xiàn)代的詩意使它令人神往。人在其中觸發(fā)的都是剎那，但也都可以無盡。

For Wanwea·Yuan, it is neither Eastern nor Western. After more than four months of exploration and refinement, the space was developed: the polysemy of form, function, and spirit is realized here, where ancient imaginations and modern poetry come together to create an enchanting experience. The moments triggered by people within it are fleeting, yet they can also be endless.

如果空間正如客人們所評價的那樣舒適迷人，并在未來持續(xù)激發(fā)著這一區(qū)域的活力，設計師亦與有榮焉，因為在完成的一刻，空間已不屬于設計者，而是達成自我的生命之河，匯入山海自然的宇宙。

If the space is as comfortable and captivating as the guests have described, continuously invigorating the area in the future, the designer will take great pride in it. For at the moment of completion, the space no longer belongs to the designer; it has become the river of life, achieving its own existence, flowing into the mountains and seas, merging with the natural universe.

項目信息
項目名稱：Wanwea·元餐廳
項目地點：北京市朝陽區(qū)姜莊路富成花園89號
項目面積：1000㎡
設計時間：2022年8月
開業(yè)時間：2023年11月
設計公司：北京天作空間設計公司
主創(chuàng)設計：王大泉
設計團隊：靳平，馬紅旭，張向榮
燈光設計：光宴盛品燈光設計（深圳）有限公司
景    觀：荒野植物園
藝術陳設：北京七加三國際藝術有限公司&東見藝術設計（北京）有限公司
文案策劃：NARJEELING那幾嶺
項目攝影：TOPIA圖派視覺


來源：本文由北京天作空間設計公司提供稿件，所有著作權歸屬北京天作空間設計公司所有。

本文版權歸腿腿教學網(wǎng)及原創(chuàng)作者所有，未經(jīng)授權，謝絕轉載。

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