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從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野

發(fā)布于：2025-11-05 11:49:04

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從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野第1張圖片

風(fēng)格源自Santorini島洞穴民居的Canaves酒店
shaped like cubic prisms, kapsimalis architects' hotel rooms echo cave houses in santorini

由專筑網(wǎng)韓慧慧，小R編譯

Kapsimalis建筑事務(wù)所設(shè)計(jì)了Canaves酒店，建筑位于希臘Santorini島。項(xiàng)目選址非常有特色，場(chǎng)地上可以看到火山與愛琴海的全景，波瀾壯闊，美不勝收。該項(xiàng)目是新舊建筑的結(jié)合，場(chǎng)地上保存有1個(gè)傳統(tǒng)的洞穴民居，設(shè)計(jì)師又設(shè)計(jì)了5間客房，并將其與傳統(tǒng)洞穴民居巧妙結(jié)合，形成一個(gè)新的建筑群體。設(shè)計(jì)師巧妙運(yùn)用現(xiàn)代設(shè)計(jì)手法，將酒店功能融入到新的建筑群體中，形成新的建筑形態(tài)。

酒店客房區(qū)的入口設(shè)在西側(cè)和北側(cè)，游客可通過公共步道到達(dá)建筑群外部樓梯處，然后進(jìn)入建筑內(nèi)。設(shè)計(jì)團(tuán)隊(duì)對(duì)場(chǎng)地和其周邊進(jìn)行了詳細(xì)調(diào)研，如場(chǎng)地地勢(shì)、場(chǎng)地與周邊道路的關(guān)系、周邊建筑布局和場(chǎng)地內(nèi)最佳景觀朝向等。設(shè)計(jì)師將客房布置在最佳朝向處，并進(jìn)行階梯式排布，形成一定規(guī)律的退臺(tái)形式，保證每間客房都可以看到景色。場(chǎng)地內(nèi)設(shè)計(jì)有4間有高差的客房和1間兩層通高的客房，均是開放式布局，內(nèi)部有客廳、臥室和浴室，在底層的客房還附帶庭院，庭院內(nèi)設(shè)有休閑區(qū)和小型泳池，而在上層的客房則附帶有戶外露臺(tái)和半開放的小型泳池。

Located in the village of Oia on the island of Santorini, Greece, Canaves Hotel, designed by Kapsimalis Architects, occupies a site overlooking the Caldera, with direct views toward the volcano and the Aegean Sea. The project combines a preserved traditional cave house with a newly constructed complex of five hotel rooms. The architectural intervention proposes a contemporary strategy of integrating hospitality functions within the morphological and spatial framework of the village.
The entrance to the hotel rooms takes place from its west and north side, via the public pedestrian street and through the two main exterior staircases of the complex. Taking into account the shape of the plot, the slope of its natural terrain, its relation with the pedestrian street, and the neighboring properties, as well as the optimal orientation towards the view, the inpidual rooms of the hotel complex were placed in a stepped manner and in a rhythmic backsliding and twist from each other. Specifically, the complex consists of four rooms on four different levels in the ground floor, and one room on two different levels on the upper floor. Each room of the ground floor comprises an open plan living space and bedroom area with its bathroom, as well as a private exterior yard with its lounge area and its plunge pool. The upper floor’s room comprises a living room and a bedroom with its bathroom, as well as two private exterior verandas with lounge areas and one semi-open plunge pool space.

從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野第2張圖片

從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野第2張圖片

all images by Yiorgos Kordakis

Kapsimalis建筑事務(wù)所旨在打造棱柱體形式的建筑群落，既可以對(duì)當(dāng)?shù)貍鹘y(tǒng)村落中現(xiàn)存立體式建筑的尺度和形式進(jìn)行有效傳承，又能夠滿足對(duì)酒店的各種功能需求。設(shè)計(jì)師在建筑立面上開設(shè)有一定比例的幾何形態(tài)窗戶，這是為了最大限度地滿足客房?jī)?nèi)部的觀景視野，使得室內(nèi)外產(chǎn)生聯(lián)系，還能夠調(diào)節(jié)室內(nèi)的光線和溫度。場(chǎng)地內(nèi)設(shè)計(jì)有圍合庭院的獨(dú)立外墻，緊鄰?fù)鈮Σ贾糜写怪狈謱泳G化，不僅不會(huì)遮擋庭院內(nèi)部的自然光線和觀景視野，還能夠?qū)νピ哼M(jìn)行有效的區(qū)域劃分。設(shè)計(jì)團(tuán)隊(duì)通過各種設(shè)計(jì)手法讓場(chǎng)地內(nèi)各建筑體塊進(jìn)行重構(gòu)整合，最終形成一個(gè)具有鮮明特色的建筑群落。

建筑內(nèi)墻飾面為米白色亮面石膏板，地面為深灰色大理石地板，一部分定制家具采用本地水泥抹灰工藝制成，另一部分則采用深色橡木、金屬構(gòu)件和各種大理石材質(zhì)構(gòu)成。室內(nèi)還放置有各種紋理的織物、鏡子、陶瓷花瓶和餐盤，燈具也很有特色，由乳白玻璃、金屬和大理石共同打造而成。正是由于室內(nèi)的各種裝飾和家具擺設(shè)，才能夠營(yíng)造獨(dú)特的室內(nèi)氛圍。室外的設(shè)計(jì)與室內(nèi)相似，外墻采用白色調(diào)，室外地面材質(zhì)與室內(nèi)保持一致，使得室內(nèi)外之間產(chǎn)生聯(lián)系。室內(nèi)營(yíng)造的是低調(diào)優(yōu)雅的風(fēng)格，室外建筑形態(tài)也與之相呼應(yīng)。

Kapsimalis Architects Studio’s design aims to create a composition of rooms-cubist prisms, with reference to the scale and form of the existing white cubist architecture of the traditional village, and on the specific typology needs of the hospitality use. In the context of accomplishing the desired view and microclimate, the openings of the complex are designed with certain geometries and proportions, so as to contribute to the fluidity of the internal & external space. Parts of freestanding exterior walls, placed vertically between the yards, as well as scattered green elements, contribute to the pision of exterior areas, without obstructing the view and the natural light. The composition through the creative reinterpretation and interrelation of the above reference points leads to the formation of a balanced net of forms and spaces with a minimalist architectural identity.
Concerning the interior of the hotel complex, off-white smooth plaster for the walls, local cement plaster for some built furniture, large slabs of dark grey marble for the floors, dark stained oak, metal works and perse kinds of marbles for custom furniture, fabrics with different textures, mirrors, ceramic decorative pots and plates, lights made by opal glass, metal and marble, are the materials that shape the inner space and the objects that have been collected. The outer space moves in the same direction, as the colour of the exterior wall is a warm white, and its floor is a continuity of the indoor floor. The approach of the interior design is to offer an eclectic, unique style and discreet elegance that pair harmoniously with the exterior forms of the architectural composition.

從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野第3張圖片

從洞穴民居到網(wǎng)紅酒店：希臘建筑師神操作，讓每間房都擁有愛琴海C位視野第3張圖片

▲ 客房成階梯狀旋轉(zhuǎn)布局，獲得最佳景觀視野
room volumes are arranged in a stepped, twisted configuration

▲ 建筑大廳出入口位于北側(cè)和西側(cè)，并設(shè)有樓梯便于上下通行
public access is provided via staircases on the north and west sides

▲ 5間客房順著傾斜地勢(shì)以階梯形態(tài)錯(cuò)落有致的排布
five guest rooms cascade across the sloping terrain

▲ 每間客房均設(shè)有私人泳池和休閑庭院
each ground-floor unit includes a private plunge pool and lounge yard

▲ 私人泳池和露臺(tái)的設(shè)計(jì)增強(qiáng)了空間私密性的同時(shí)，又可將室外景觀引入室內(nèi)，提升室內(nèi)舒適度
plunge pools and terraces enhance privacy and outdoor living

▲ 建筑外觀為白色極簡(jiǎn)主義風(fēng)格，保持著當(dāng)?shù)氐膫鹘y(tǒng)色彩，并與周邊景觀互為融合
minimalist white facades maintain harmony with the local context

▲ 建筑立面的窗戶尺寸和陽臺(tái)位置經(jīng)過精心設(shè)計(jì)，可成為觀海景的最佳視野處
balconies and openings are proportioned to frame sea views

▲ 每間客房的陽臺(tái)均設(shè)置有分戶墻，劃分空間的同時(shí)也不會(huì)遮擋陽光
freestanding walls define outdoor spaces without blocking light

▲ 室內(nèi)采用米白色石膏板飾面，地板為深色大理石，顏色界定分明，可在室內(nèi)塑造不同的質(zhì)感
off-white plaster walls and dark marble floors define the interiors

▲ 室內(nèi)定制家具以深色橡木、金屬與本地石材打造質(zhì)感細(xì)節(jié)
custom furniture uses dark oak, metal, and locally sourced stone

▲ 室內(nèi)飾面為簡(jiǎn)約風(fēng)格，并在其中融入不同質(zhì)感的家具擺設(shè)，在簡(jiǎn)約基調(diào)中融入豐富的觸感體驗(yàn)
interior finishes balance simplicity with tactile richness

▲ Kapsimalis建筑事務(wù)所在設(shè)計(jì)時(shí)始終保持以統(tǒng)一材質(zhì)基調(diào)貫穿整體的設(shè)計(jì)理念
Kapsimalis Architects’ design maintains a consistent material palette throughout

▲ 該項(xiàng)目設(shè)計(jì)旨在將室內(nèi)與室外緊密聯(lián)系起來
the project achieves a strong connection between the interior and exterior realms

項(xiàng)目信息：
項(xiàng)目名稱：Oia鎮(zhèn)的小型酒店—Canaves酒店
建筑設(shè)計(jì)：Kapsimalis建筑事務(wù)所
項(xiàng)目位置：希臘 Santorini
攝影師：Yiorgos Kordakis
攝影構(gòu)圖：Anestis Michalis

project info:
name: Small Hotel in Oia, Canaves Hotel
architect: Kapsimalis Architects | @kapsimalisarchitects
location: Oia, Santorini, Greece
photographer: Yiorgos Kordakis | @yiorgoskordakis
photography stylist: Anestis Michalis

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